{"id":3368,"date":"2004-03-25T11:25:40","date_gmt":"2004-03-25T10:25:40","guid":{"rendered":"http:\/\/colomboarte.com\/?p=3368"},"modified":"2026-01-23T10:50:35","modified_gmt":"2026-01-23T09:50:35","slug":"valentina-damaro-senza-titolo-2","status":"publish","type":"post","link":"https:\/\/colomboarte.com\/en\/valentina-damaro-senza-titolo-2\/","title":{"rendered":"Valentina D&#8217;Amaro &#8211; Senza Titolo"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row full_width=&#8221;&#8221; parallax_image=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; center_row=&#8221;&#8221; typography_style=&#8221;&#8221; column_spacing=&#8221;&#8221; tablet_fullwidth_cols=&#8221;&#8221; bg_style=&#8221;&#8221; parallax=&#8221;&#8221; parallax_mobile=&#8221;&#8221; parallax_style=&#8221;&#8221; parallax_direction=&#8221;&#8221; video_bg=&#8221;&#8221; video_bg_overlay=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column width=&#8221;1\/1&#8243; style=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; typo_style=&#8221;&#8221; drop_shadow=&#8221;&#8221; bg_style=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column_text]\n<p style=\"text-align: justify;\">25.03 &#8211; 15.05.2004<\/p>\n<h3 style=\"text-align: justify;\">VALENTINA D&#8217;AMARO\u00a0&#8211; Senza Titolo<\/h3>\n<p style=\"text-align: justify;\">Galleria Antonio Colombo Arte Contemporanea is proud to present, for the first time in the gallery, a solo show by Valentina D\u2019Amaro. The exhibition features ten new works on canvas, in medium and large formats.<br \/>\nIn this exhibition Valentina D&#8217;Amaro returns to landscape painting. Nevertheless, these landscapes are different from the &#8220;untitled&#8221; works made over the last two years.<br \/>\nIn this latest series the artist depicts a rarified landscape, composed of a few basic elements.<br \/>\nThis can almost be seen as a paradoxical return to the classical which would undoubtedly meet with the approval of a more traditional public, were it not for the fact that certain fundamental components (above all the use of color and the composition) lead to the suspicion that we are looking at minimalist research, without striking gestures or actions, in an approach that is typical of all the work of Valentina D&#8217;Amaro.<\/p>\n<p style=\"text-align: justify;\">A catalogue will be available at the gallery, with a critical essay by Gianni Romano.<\/p>\n<p style=\"text-align: justify;\"><strong>Valentina D\u2019Amaro<\/strong>: Born in 1966 in Massa (MS), lives and works in Milan. Solo shows in 2004 \u201cUntitled\u201d, Antonio Colombo Arte Contemporanea, Milan, catalogue text by Gianni Romano; in 2002, Galleria Kunstadapter, Frankfurt; in 2001 at Galleria De March \u2013 Solbiati, Legnano (MI), with catalogue text by G. Romano; in 1999 at Nuova Artesegno, Udine, in collaboration with Studio d\u2019arte Cannaviello. Main group shows: in 2003 \u201cToscana picta. Giovane pittura toscana\u201d, Italian Cultural Institute, Lisbon, curator A. Romanini; \u201cColectiva\u201d, Galeria Jorg e Shirley, Lisbon; \u201cLa pittura come concetto\u201d, Palazzo Ducale, Massa, curator L. Beatrice; in 2002 \u201cPremio Lissone\u201d, Pinacoteca Civica, Lissone (MI), curator F. Gualdoni; \u201cFaces and Places\u201d, Biagiotti Arte Contemporanea, Florence; \u201cContemporary portrait\u201d, Torre medievale, Moggio Udinese, Udine, curators M. Di Marzio and E. Santese; \u201c301.302 kmq, paesaggio italiano attraverso la pittura\u201d, Galleria Alessandro Bagnai, Florence, curator L. Beatrice; \u201cFour ways, le quattro vie del nuovo paesaggio contemporaneo italiano\u201d, Galleria d\u2019arte moderna and church of S. Antonio Abate, Udine, curators L. Beatrice and P. Manazza; in 2001 \u201cJunge Italienische Malerai\u201d, Galerie Binz&amp;Kramer, Cologne, Galleria Fabjbasaglia, Rimini, Espace Ernst Hilger, Paris, Galerie Ernst Hilger, Vienna, curator G. Romano; \u201cCairo Communication\u201d Prize, La posteria, Milan; \u201c(Ultra)corpi\u201d, cloister of S.Agostino, Pietrasanta (LU), curator M.Sciaccaluga. In 2000, the \u201cFrisia\u201d Prize, Merate (Lecco), curator S. Fontana; \u201cSui Generis\u201d, Padiglione d\u2019Arte Contemporanea, Milan, curator A. Riva; in 1999 \u201cAggiunte al catalogo, nuova pittura italiana negli spazi del museo\u201d, Galleria d\u2019Arte Moderna of Udine; \u201cNeoiconica\u201d Studio d\u2019Arte Cannaviello, Milan, critical text by G. Gigliotti; Museo d\u2019Arte Paolo Pini, permanent collection, Milan; \u201cT.R.\u201d, former Todeschini hardware store, Faenza, curator M.Zauli; \u201cMorb\u00ec, porto insicuro\u201d, Mole Vanvitelliana, Ancona; \u201cItalian Memories\u201d Guangdong Museum of Art, Canton, China, curators E. Cannaviello, N. Dimitri, S. Fontana.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;&#8221; parallax_image=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; center_row=&#8221;&#8221; typography_style=&#8221;&#8221; column_spacing=&#8221;&#8221; tablet_fullwidth_cols=&#8221;&#8221; bg_style=&#8221;&#8221; parallax=&#8221;&#8221; parallax_mobile=&#8221;&#8221; parallax_style=&#8221;&#8221; parallax_direction=&#8221;&#8221; video_bg=&#8221;&#8221; video_bg_overlay=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column width=&#8221;1\/1&#8243; style=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; typo_style=&#8221;&#8221; drop_shadow=&#8221;&#8221; bg_style=&#8221;&#8221; border_style=&#8221;&#8221;]<div class=\"vcex-module vcex-divider vcex-divider-solid vcex-divider-center wpex-mx-auto wpex-max-w-100 wpex-block wpex-h-0 wpex-border-b wpex-border-solid wpex-border-main\" style=\"width:100%;margin-block:20px;border-bottom-width:1px;\"><\/div>[\/vc_column][\/vc_row][vc_row full_width=&#8221;&#8221; parallax_image=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; center_row=&#8221;&#8221; typography_style=&#8221;&#8221; column_spacing=&#8221;&#8221; tablet_fullwidth_cols=&#8221;&#8221; bg_style=&#8221;&#8221; parallax=&#8221;&#8221; parallax_mobile=&#8221;&#8221; parallax_style=&#8221;&#8221; parallax_direction=&#8221;&#8221; video_bg=&#8221;&#8221; video_bg_overlay=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column width=&#8221;1\/1&#8243; style=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; typo_style=&#8221;&#8221; drop_shadow=&#8221;&#8221; bg_style=&#8221;&#8221; border_style=&#8221;&#8221;]<div class=\"vcex-image-grid-wrap\"><div class=\"vcex-module vcex-image-grid grid-style-default wpex-row wpex-clr wpex-lightbox-group\" data-show_title=\"false\"><div class=\"id-16415 vcex-image-grid-entry vcex-grid-item wpex-text-center span_1_of_6 nr-col col-1\"><figure class=\"vcex-image-grid-entry-figure wpex-last-mb-0 wpex-clr\"><div class=\"vcex-image-grid-entry-img entry-media wpex-relative wpex-mb-20\"><a href=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004.jpg\" class=\"vcex-image-grid-entry-link wpex-lightbox-group-item\" data-show_title=\"false\"><img width=\"800\" height=\"460\" src=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004.jpg\" class=\"wpex-align-middle\" alt=\"Valentina D&#039;Amaro, S.T., 2004. olio su tela, cm 135x230\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004.jpg 800w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004-300x173.jpg 300w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004-174x100.jpg 174w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/figure><\/div><div class=\"id-16416 vcex-image-grid-entry vcex-grid-item wpex-text-center span_1_of_6 nr-col col-2\"><figure class=\"vcex-image-grid-entry-figure wpex-last-mb-0 wpex-clr\"><div class=\"vcex-image-grid-entry-img entry-media wpex-relative wpex-mb-20\"><a href=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004-2.jpg\" class=\"vcex-image-grid-entry-link wpex-lightbox-group-item\" data-show_title=\"false\"><img width=\"800\" height=\"720\" src=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004-2.jpg\" class=\"wpex-align-middle\" alt=\"Valentina D&#039;Amaro, S.T., 2004. olio su tela, 90x100 cm\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004-2.jpg 800w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004-2-300x270.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/figure><\/div><div class=\"id-16417 vcex-image-grid-entry vcex-grid-item wpex-text-center span_1_of_6 nr-col col-3\"><figure class=\"vcex-image-grid-entry-figure wpex-last-mb-0 wpex-clr\"><div class=\"vcex-image-grid-entry-img entry-media wpex-relative wpex-mb-20\"><a href=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004fd.jpg\" class=\"vcex-image-grid-entry-link wpex-lightbox-group-item\" data-show_title=\"false\"><img width=\"800\" height=\"715\" src=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004fd.jpg\" class=\"wpex-align-middle\" alt=\"Valentina D&#039;Amaro, S.T., 2004. olio su tela, 90x100 cm\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004fd.jpg 800w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004fd-300x268.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/figure><\/div><div class=\"id-16418 vcex-image-grid-entry vcex-grid-item wpex-text-center span_1_of_6 nr-col col-4\"><figure class=\"vcex-image-grid-entry-figure wpex-last-mb-0 wpex-clr\"><div class=\"vcex-image-grid-entry-img entry-media wpex-relative wpex-mb-20\"><a href=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.jpg\" class=\"vcex-image-grid-entry-link wpex-lightbox-group-item\" data-show_title=\"false\"><img width=\"800\" height=\"714\" src=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.jpg\" class=\"wpex-align-middle\" alt=\"Valentina D&#039;Amaro, S.T., 2004, olio su tela, 90x100 cm\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.jpg 800w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T-300x268.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/figure><\/div><div class=\"id-16419 vcex-image-grid-entry vcex-grid-item wpex-text-center span_1_of_6 nr-col col-5\"><figure class=\"vcex-image-grid-entry-figure wpex-last-mb-0 wpex-clr\"><div class=\"vcex-image-grid-entry-img entry-media wpex-relative wpex-mb-20\"><a href=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo2004olio-su-telacm-125x220.jpg\" class=\"vcex-image-grid-entry-link wpex-lightbox-group-item\" data-show_title=\"false\"><img width=\"800\" height=\"446\" src=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo2004olio-su-telacm-125x220.jpg\" class=\"wpex-align-middle\" alt=\"Valentina D&#039;Amaro, S.T., 2004. olio su tela, 125x220 cm\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo2004olio-su-telacm-125x220.jpg 800w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo2004olio-su-telacm-125x220-300x167.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/figure><\/div><div class=\"id-16420 vcex-image-grid-entry vcex-grid-item wpex-text-center span_1_of_6 nr-col col-6\"><figure class=\"vcex-image-grid-entry-figure wpex-last-mb-0 wpex-clr\"><div class=\"vcex-image-grid-entry-img entry-media wpex-relative wpex-mb-20\"><a href=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo-olio-su-tela-2003-cm-90-x130.jpg\" class=\"vcex-image-grid-entry-link wpex-lightbox-group-item\" data-show_title=\"false\"><img width=\"800\" height=\"532\" src=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo-olio-su-tela-2003-cm-90-x130.jpg\" class=\"wpex-align-middle\" alt=\"Valentina D&#039;Amaro,Senza titolo, olio su tela, 2003, cm 90 x130\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo-olio-su-tela-2003-cm-90-x130.jpg 800w, https:\/\/colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaroSenza-titolo-olio-su-tela-2003-cm-90-x130-300x200.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/div><\/figure><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=&#8221;&#8221; parallax_image=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; center_row=&#8221;&#8221; typography_style=&#8221;&#8221; column_spacing=&#8221;&#8221; tablet_fullwidth_cols=&#8221;&#8221; bg_style=&#8221;&#8221; parallax=&#8221;&#8221; parallax_mobile=&#8221;&#8221; parallax_style=&#8221;&#8221; parallax_direction=&#8221;&#8221; video_bg=&#8221;&#8221; video_bg_overlay=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column width=&#8221;1\/1&#8243; style=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; typo_style=&#8221;&#8221; drop_shadow=&#8221;&#8221; bg_style=&#8221;&#8221; border_style=&#8221;&#8221;]<div class=\"vcex-module vcex-divider vcex-divider-solid vcex-divider-center wpex-mx-auto wpex-max-w-100 wpex-block wpex-h-0 wpex-border-b wpex-border-solid wpex-border-main\" style=\"width:100%;margin-block:20px;border-bottom-width:1px;\"><\/div>[\/vc_column][\/vc_row][vc_row full_width=&#8221;&#8221; parallax_image=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; center_row=&#8221;&#8221; typography_style=&#8221;&#8221; column_spacing=&#8221;&#8221; tablet_fullwidth_cols=&#8221;&#8221; bg_style=&#8221;&#8221; parallax=&#8221;&#8221; parallax_mobile=&#8221;&#8221; parallax_style=&#8221;&#8221; parallax_direction=&#8221;&#8221; video_bg=&#8221;&#8221; video_bg_overlay=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column width=&#8221;1\/1&#8243; style=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; typo_style=&#8221;&#8221; drop_shadow=&#8221;&#8221; bg_style=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column_text]\n<h4 style=\"text-align: justify;\">At a Proper Distance<\/h4>\n<p style=\"text-align: justify;\"><em>by Gianni Romano<\/em><\/p>\n<p style=\"text-align: justify;\">The question people ask me most often about the work of Valentina D\u2019Amaro is \u201cwhat do the landscapes have to do with the portraits?\u201d. At times it is justifiable if one thinks that art world denizens like to wonder the same things and give themselves the same answers. Probably over a century has passed in which artists have written about the lack of importance of the subject in painting. Cingolani, for example, the latest in the series of those who come to mind, has clearly stated: \u201cWorks can live without subjects. I underline the subject because I like it, but I hope the paintings can live on their own, just as I don\u2019t know what Polke\u2019s titles are, because they are in German, but I understand his images. I want a painting that speaks for itself.\u201d<br \/>\nA painting that speaks for itself was what Ed Ruscha expressed in a pastel in 1979, placing white letters on an orange background: \u201cI DONT WANT NO RETRO SPECTIVE\u201d. Who knows if he is ever asked what his monochrome paintings have to do with the black &amp; white photographs of gas stations, or the acrylics of gas stations with those of mountains, or what the latter have to do with the \u201cCountry Cityscapes\u201d and what all this has to do with his inscriptions on monochrome fields, or in the background of banal images. \u201cWord\u201d, Roland Barthes wrote, \u201csimultaneously contains all the meanings from which a relational discourse might have required it to choose\u201d. Painting also belongs to a system of relations that often direct meaning toward predictable results. The artist often finds himself destroying and reconstructing the elements of this discourse. Painting, especially in its figurative version, deceives its audience with images that are often anything but what they appear to be. In the same way that the portraits by Valentina D&#8217;Amaro underlined dynamics and iconography of the group rather than the individual personality or model (a relational, more than generational, aesthetic), these latest works should undoubtedly also be analyzed for what they do not immediately display. This artist \u2013 and this latest show is proof \u2013 likes to deny appearances. As her colleagues strive to create \u201cfine figures\u201d, she works to erase any rhetoric, getting straight to the point, shoving aside any compromise between significance and signifier. Just as she denies appearances, D\u2019Amaro disavows belonging. She paints as only women who have gone beyond the postmodern can paint, reinventing painting. The traditional practice is thus utilized without feeling any need to conceptualize it. If anything, its contents are flattened, falsified with the artist\u2019s acknowledged painterly abilities (which deceive us, inevitably leading us back to thinking that her paintings are beautiful), perceptions, perspectives, fields of color and light. In these new works Valentina D&#8217;Amaro goes further, performing a radical operation. The subject is kept at a proper distance. The artist eliminates the presence of things and objects, showing us an estranged landscape, a complete rarefaction that achieves the quintessence of landscape, though I wouldn\u2019t say that this is the true objective.<br \/>\n\u201cThe intention, already in the work, is precisely that of not saying, not explaining, not revealing, of creating a suspension, of shifting communication to other planes.\u201d (Valentina D&#8217;Amaro)<br \/>\nThe reason we find no objects in these paintings (except a house, so hidden as to seem more like a vision than a description) is that objects force the observer to focus in a certain way, to look at the whole composition in relation to the painted object. The evident photographic matrix contributes to the disorientation of the image. The subsequent glazing produces colors that seem like the result of digital manipulation (betraying, in part, the photographic nature of the original image). It seems clear that the artist has nothing to hide, that for her painting, in any case, is matter and color, a witness to the marriage between nature and artifice, something that impacts our senses without making use of special effects.<br \/>\nValentina D\u2019Amaro, precisely because she is interested in the annulment of traditional perspective, favors an uncluttered scene, without any clearly identifiable objects apart from aggregates (i.e. the trees). An object, familiar or not, forces us to insert it in a field of meanings and relations; but when its contours are confused, blending and even disappearing altogether, our gaze is free again, perception ranges at will in those windows that, by convention, we call paintings. The image becomes almost abstract, light and color mean more than any detail, a field is not a field but just a concentrate of sensations intended to keep everyday banality at a proper distance.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;&#8221; parallax_image=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; center_row=&#8221;&#8221; typography_style=&#8221;&#8221; column_spacing=&#8221;&#8221; tablet_fullwidth_cols=&#8221;&#8221; bg_style=&#8221;&#8221; parallax=&#8221;&#8221; parallax_mobile=&#8221;&#8221; parallax_style=&#8221;&#8221; parallax_direction=&#8221;&#8221; video_bg=&#8221;&#8221; video_bg_overlay=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column width=&#8221;1\/1&#8243; style=&#8221;&#8221; visibility=&#8221;&#8221; css_animation=&#8221;&#8221; typo_style=&#8221;&#8221; drop_shadow=&#8221;&#8221; bg_style=&#8221;&#8221; border_style=&#8221;&#8221;][vc_column_text] 25.03 &#8211; 15.05.2004 VALENTINA D&#8217;AMARO\u00a0&#8211; Senza Titolo Galleria Antonio Colombo Arte Contemporanea is proud to present, for the first time in the gallery, a solo show by Valentina D\u2019Amaro. The&hellip;<\/p>\n","protected":false},"author":2,"featured_media":3360,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[],"post_series":[],"class_list":["post-3368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-year-2004","entry","no-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Valentina D&#039;Amaro - Senza Titolo - COLOMBO&#039;S GALLERY<\/title>\n<meta name=\"description\" content=\"Galleria Antonio Colombo Arte Contemporanea is proud to present, for the first time in the gallery, a solo show by Valentina D\u2019Amaro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.colomboarte.com\/en\/valentina-damaro-senza-titolo-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Valentina D&#039;Amaro - Senza Titolo - COLOMBO&#039;S GALLERY\" \/>\n<meta property=\"og:description\" content=\"Galleria Antonio Colombo Arte Contemporanea is proud to present, for the first time in the gallery, a solo show by Valentina D\u2019Amaro.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.colomboarte.com\/en\/valentina-damaro-senza-titolo-2\/\" \/>\n<meta property=\"og:site_name\" content=\"COLOMBO&#039;S GALLERY\" \/>\n<meta property=\"article:published_time\" content=\"2004-03-25T10:25:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-23T09:50:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.colomboarte.com\/wp-content\/uploads\/2015\/04\/Valentina-DAmaro-S.T.-2004.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"460\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"diletta\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"diletta\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.colomboarte.com\\\/en\\\/valentina-damaro-senza-titolo-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.colomboarte.com\\\/en\\\/valentina-damaro-senza-titolo-2\\\/\"},\"author\":{\"name\":\"diletta\",\"@id\":\"https:\\\/\\\/colomboarte.com\\\/#\\\/schema\\\/person\\\/c3297bb881dea62131ce8567b86be52b\"},\"headline\":\"Valentina D&#8217;Amaro &#8211; 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