{"id":3213,"date":"2006-05-11T17:39:35","date_gmt":"2006-05-11T15:39:35","guid":{"rendered":"http:\/\/colomboarte.com\/?p=3213"},"modified":"2026-01-23T11:10:00","modified_gmt":"2026-01-23T10:10:00","slug":"wearproof-2","status":"publish","type":"post","link":"https:\/\/colomboarte.com\/en\/wearproof-2\/","title":{"rendered":"WEARPROOF – Painting’s Infinite Present"},"content":{"rendered":"
[vc_row full_width=”” parallax_image=”” visibility=”” css_animation=”” center_row=”” typography_style=”” column_spacing=”” tablet_fullwidth_cols=”” bg_style=”” parallax=”” parallax_mobile=”” parallax_style=”” parallax_direction=”” video_bg=”” video_bg_overlay=”” border_style=””][vc_column width=”1\/1″ style=”” visibility=”” css_animation=”” typo_style=”” drop_shadow=”” bg_style=”” border_style=””][vc_column_text]11.05 – 14.07.2006<\/p>\n

WEARPROOF
\nPainting\u2019s infinite present<\/em><\/h3>\n

curated by Raffaele Gavarro<\/em><\/p>\n

Wearproof examines the concept of painting acquiring significance when it manages to correspond to its present.<\/p>\n

This is the way it was in the past and the way it still is in our present world.
\nBut what does it mean today to correspond to a present that extends practically all the way to infinity?
\nThe painting on display constitutes a fairly broad range of language and expression, stretching from Tibor\u2019s hyperrealism to Harris\u2019s liquid details and suburbs, through Hamilton\u2019s ironic geometries and Pacheco\u2019s painting so dense with images. It reaches all the way to Leal\u2019s rapid signs and Fabritius\u2019s atmospheres with their mysterious modernity.
\nEven though these artists already have an important place on the international scene, they are all – with the exception of Hamilton \u2013 on show in Italy for the first time.
\nTheir most recent solo and group exhibitions are given below.<\/p>\n

Tom Fabritius<\/strong> (Radeberg-Germany-1972. Lives in Leipzig)
\nSolo: 2006, Galerie Kleindienst, Leipzig, Germany.
\nGroup: 2006, Zuruck zur Figur. Malerei in der Gegenwart, Hypo-Kulturstiftung, Munich, Germany.<\/p>\n

Patrick Hamilton<\/strong> (Lovaina-Belgium-1974. Lives in Santiago, Chile)
\nSolo: 2005, Paradise Alley, White Project Arte Contemporanea, Pescara.
\nGroup: 2006, From the other site\/side, Museum of Contemporary Art,
\nSantiago, Chile.<\/p>\n

Jim Harris<\/strong> (London-1968. Lives in Amsterdam)
\nSolo: 2006, Galerie Martin Mertens, Berlin, Germany.
\nGroup: 2005 Kunstsalon Baruth, Baruth, Germany.<\/p>\n

Miki Leal<\/strong> (Seville-Spain-1974. Lives in Madrid)
\nSolo: 2005, El Manantial, el Nadador y la Pintura, Galeria Magda Bellotti, Madrid, Spain.
\nGroup: 2006, \u00bfViva pintura!,Hangar 7, Salzburg, Austria.<\/p>\n

Bruno Pacheco<\/strong> (Lisbon-1974. Lives in Lisbon)
\nSolo: 2006, HollyBush, Gardens Gallery, London, U.K..
\nGroup: 2005, Barbican Gallery, New Contemporaries, London,U.K.<\/p>\n

Iski Kocsis Tibor<\/strong> (Kisvarda-Hungary-1972. Lives in Budapest)
\nSolo: 2005, Retinentia, Deak Gallery, Budapest, Hungary.
\nGroup: 2005, Derkovits Scholarship, Ernst Museum, Budapest, Hungary.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”” parallax_image=”” visibility=”” css_animation=”” center_row=”” typography_style=”” column_spacing=”” tablet_fullwidth_cols=”” bg_style=”” parallax=”” parallax_mobile=”” parallax_style=”” parallax_direction=”” video_bg=”” video_bg_overlay=”” border_style=””][vc_column width=”1\/1″ style=”” visibility=”” css_animation=”” typo_style=”” drop_shadow=”” bg_style=”” border_style=””]

<\/div>[\/vc_column][\/vc_row][vc_row full_width=”” parallax_image=”” visibility=”” css_animation=”” center_row=”” typography_style=”” column_spacing=”” tablet_fullwidth_cols=”” bg_style=”” parallax=”” parallax_mobile=”” parallax_style=”” parallax_direction=”” video_bg=”” video_bg_overlay=”” border_style=””][vc_column width=”1\/1″ style=”” visibility=”” css_animation=”” typo_style=”” drop_shadow=”” bg_style=”” border_style=””]
\"Bruno<\/a><\/div><\/figure><\/div>
\"Jet<\/a><\/div><\/figure><\/div>
\"Jim<\/a><\/div><\/figure><\/div>
\"Patrick<\/a><\/div><\/figure><\/div>
\"\"<\/a><\/div><\/figure><\/div>
\"Tom<\/a><\/div><\/figure><\/div><\/div><\/div>[\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”” parallax_image=”” visibility=”” css_animation=”” center_row=”” typography_style=”” column_spacing=”” tablet_fullwidth_cols=”” bg_style=”” parallax=”” parallax_mobile=”” parallax_style=”” parallax_direction=”” video_bg=”” video_bg_overlay=”” border_style=””][vc_column width=”1\/1″ style=”” visibility=”” css_animation=”” typo_style=”” drop_shadow=”” bg_style=”” border_style=””][vc_column_text]11.05 – 14.07.2006 WEARPROOF Painting\u2019s infinite present curated by Raffaele Gavarro Wearproof examines the concept of painting acquiring significance when it manages to correspond to its present. This is the way…<\/p>\n","protected":false},"author":2,"featured_media":3209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"post_series":[],"class_list":["post-3213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-year-2006","entry","no-media"],"yoast_head":"\nWEARPROOF - Painting's Infinite Present - COLOMBO'S GALLERY<\/title>\n<meta name=\"description\" content=\"Wearproof examines the concept of painting acquiring significance when it manages to correspond to its present.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/colomboarte.com\/en\/wearproof-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WEARPROOF - Painting's Infinite Present - 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